Portal:Music

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The Music Portal

Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer.

Music often plays a key role in social events and religious ceremony. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games.

Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers of sheet music and recordings. Technology facilitating the recording and reproduction of music has historically included sheet music, microphones, phonographs, and tape machines, with playback of digital musics being a common use for MP3 players, CD players, and smartphones. (Full article...)

General images - load new batch

The following are images from various music-related articles on Wikipedia.

Image 1Musicians working in a recording studio (from Music industry)
Image 2Two musicians of the Eastern Han Dynasty (25–220 CE), Shanghai Museum (from History of music)
Image 3A studio engineer working with an audio mixer in a recording studio (from Music industry)
Image 4Guillaume Du Fay (left), with Gilles Binchois (right) in a c. 1440 Illuminated manuscript copy of Martin le Franc's Le champion des dames (from History of music)
Image 5Kanye West (2007) emerged during the decade as an important hip-hop producer and album artist. (from Album era)
Image 6Terracotta statue of a Parthian lute player (from History of music)
Image 7The logo for Apple Inc.'s online iTunes store, which sells digital files of songs and musical pieces–along with a range of other content, such as digital files of TV shows and movies (from Music industry)
Image 8The portable Discman CD player, which was released in 1984 and precipitated the displacement of LPs (from Album era)
Image 9An LP record on a phonograph (from Album era)
Image 10The Japanese boy band Arashi, who had the world's best-selling album (5x20 All the Best!!) in 2019 (from Album era)
Image 11Pink Floyd (1973) performing The Dark Side of the Moon, a leading commercial success of the LP era (from Album era)
Image 12A young man browsing through a record store in Bonn, West Germany, June 1988 (from Album era)
Image 13Circular definition of "musicality" (from Elements of music)
Image 14The Rolling Stones in 1967 (from Album era)
Image 15Drawing of the tablet with the Hymn to Nikkal (c. 1400 BCE), the oldest of the Hurrian songs (from History of music)
Image 16Frank Sinatra (c. 1955), an early pop album artist (from Album era)
Image 17The Bull Headed Lyre of Ur, found in the Royal Cemetery at Ur, is the best known of the ancient Lyres of Ur (from History of music)
Image 18An example of mechanically printed sheet music (from Music industry)
Image 19Beyoncé (2016) popularized the surprise-album strategy of the 2010s. (from Album era)
Image 20Stevie Wonder, among the era's innovative artists (from Album era)
Image 21Sheet music for part of the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina (from History of music)
Image 22c. 379 CE Bas relief of Sassanid women playing the chang in Taq-e Bostan, Iran (from History of music)
Image 23Alleluia nativitas by Perotin from the Codex Guelf.1099 (from History of music)
Image 24Clara and Robert Schumann (from History of music)
Image 25Taylor Swift, a longtime adherent to album-era rollouts, surprise-released her albums instead in 2020. (from Album era)
Image 26The Beatles (1964) have been credited by music historians for heralding the album era. (from Album era)
Image 27A live musical performance at Cologne Pride, 2013 (from Music industry)
Image 28The monumental Bianzhong of Marquis Yi of Zeng, c. 5th century BCE, from Hubei (from History of music)
Image 29A musician in a recording studio (from Music industry)
Image 30An audience watching a concert (from Music industry)
Image 31A young couple listening to music on an iPod Mini, 2006 (from Album era)
Image 32Platinum records by Elvis Presley, Prince, Madonna, Lynyrd Skynyrd, and Bruce Springsteen, at Julien's Auctions (from Album era)
Image 33A smartphone displaying playlists on Spotify, 2010. The streaming service became a dominant and redefining platform for music consumption through the decade. (from Album era)
Image 34US vinyl sales in units, 1995–2020; while album sales overall declined, those in the vinyl format rose toward the end of the 2010s. (from Album era)
Image 35As LPs fell out of favor to CDs, hip hop producers repurposed them as sampling sources, contributing to the development of record collecting. (from Album era)
Image 36An HMV record shop in Wakefield, England closing its operation in 2013 (from Album era)
Image 37J. S. Bach (from History of music)
Image 38Notation indicating differing pitch, dynamics, articulation, and instrumentation (from Elements of music)
Image 39Frances Densmore at the Smithsonian Institution in 1916 where she was recording Blackfoot chief Mountain Chief for the Bureau of American Ethnology. In this picture, Mountain Chief is listening to a recording. (from Music industry)
Image 40A Rhodes College student listening to the 1969 Yes LP on campus, c. 1970 (from Album era)
Image 41A radio broadcasting system from 1906 (from Music industry)

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Featured articles - load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

Image 1

Autograph manuscript of
opening bass aria from BWV 56

Ich will den Kreuzstab gerne tragen (lit. 'I will gladly carry the cross-staff'), BWV 56, is a church cantata composed by Johann Sebastian Bach for the 19th Sunday after Trinity. It was first performed in Leipzig on 27 October 1726. The composition is a solo cantata (German: Solokantate) because, apart from the closing chorale, it requires only a single vocal soloist (in this case a bass). The autograph score is one of a few cases where Bach referred to one of his compositions as a cantata. In English, the work is commonly referred to as the Kreuzstab cantata. Bach composed the cantata in his fourth year as Thomaskantor; it is regarded as part of his third cantata cycle.

The text was written by Christoph Birkmann, a student of mathematics and theology in Leipzig who collaborated with Bach. He describes in the first person a Christian willing to "carry the cross" as a follower of Jesus. The poet compares life to a voyage towards a harbour, referring indirectly to the prescribed Gospel reading which says that Jesus travelled by boat. The person, at the end, yearns for death as the ultimate destination, to be united with Jesus. This yearning is reinforced by the closing chorale: the stanza "Komm, o Tod, du Schlafes Bruder" ('Come, o death, you brother of sleep') from Johann Franck's 1653 hymn "Du, o schönes Weltgebäude", which uses the imagery of a sea voyage. (Full article...)
Image 2
Branded to Kill (Japanese: 殺しの烙印, Hepburn: Koroshi no Rakuin) is a 1967 Japanese yakuza film directed by Seijun Suzuki and starring Joe Shishido, Koji Nanbara, Annu Mari and Mariko Ogawa. The story follows contract killer Goro Hanada as he is recruited by a mysterious woman named Misako for a seemingly impossible mission. When the mission fails, he is hunted by the phantom Number One Killer, whose methods threaten his life and sanity.

Branded to Kill was designated by its production company and distributor, Nikkatsu, as a low-budget B movie. Dissatisfied with the original script, the studio called in Suzuki to rewrite and direct the film shortly prior to the start of production. Suzuki came up with many of his ideas for the project the night before or on the set while filming, and welcomed ideas from his colleagues; the screenplay is credited to Hachiro Guryu, a writing collective that consisted of Suzuki and seven other writers, including his frequent collaborators Takeo Kimura and Atsushi Yamatoya. Suzuki gave the film a satirical, anarchic and visually eclectic bent, which the studio had previously warned him away from. The brief turnaround Suzuki was given to make Branded to Kill meant that post-production on the film was completed only a day before its pre-scheduled release on June 15, 1967. (Full article...)
Image 3

Lukather performing in 2017

Steven Lee "Luke" Lukather (born October 21, 1957) is an American guitarist, singer, songwriter, arranger and record producer, best known as the sole continuous founding member of the rock band Toto. His reputation as a skilled guitarist led to a steady flow of session work beginning in the 1970s that has since established him as a prolific session musician, recording guitar tracks for more than 1,500 albums spanning a broad array of artists and genres. He has also contributed to albums and hit singles as a songwriter, arranger and producer. Notably, Lukather played guitar on Boz Scaggs' albums Down Two Then Left (1977) and Middle Man (1980), and was a prominent contributor to several studio albums by Michael Jackson, including Thriller (1982). Lukather has released nine solo albums, the latest of which, Bridges, was released in June 2023.

Influenced by blues-rock guitarists such as Jimi Hendrix and Jimmy Page, and such jazz fusion players as Al Di Meola and John McLaughlin, Lukather is known for a "melodic and intense" playing style. He is also recognized for his efficiency in the studio, often recording tracks in one take using minimal sound processing. While he once used many guitar effects in the studio and on stage, he now frequently disparages such practice, and instead advocates cleaner tones and minimal studio processing. Lukather plays primarily a signature electric guitar manufactured by Ernie Ball Music Man bearing his nickname, Luke. He also plays Yamaha and Ovation Adamas series acoustic–electric guitars. (Full article...)
Image 4
Stanford in 1921

Sir Charles Villiers Stanford (30 September 1852 – 29 March 1924) was an Anglo-Irish composer, music teacher, and conductor of the late Romantic era. Born to a well-off and highly musical family in Dublin, Stanford was educated at the University of Cambridge before studying music in Leipzig and Berlin. He was instrumental in raising the status of the Cambridge University Musical Society, attracting international stars to perform with it.

While still an undergraduate, Stanford was appointed organist of Trinity College, Cambridge. In 1882, aged 29, he was one of the founding professors of the Royal College of Music, where he taught composition for the rest of his life. From 1887 he was also Professor of Music at Cambridge. As a teacher, Stanford was sceptical about modernism, and based his instruction chiefly on classical principles as exemplified in the music of Brahms. Among his pupils were rising composers whose fame went on to surpass his own, such as Gustav Holst and Ralph Vaughan Williams. As a conductor, Stanford held posts with the Bach Choir and the Leeds Triennial Music Festival. (Full article...)
Image 5
"Mindful" is a hip-hop and R&B song by American singer K. Michelle from her third studio album More Issues Than Vogue (2016). T-Pain wrote and produced the song, which Atlantic Records released as the album's third single on February 19, 2016. Throughout the track, Michelle raps the lyrics and warns critics to be "mindful" of her. Some reviewers noted that its uptempo production differed from Michelle's previous singles, and she stated that it was one of the first times she recorded a more light-hearted song.

Critics praised Michelle's rapping in "Mindful", and referred to it as a highlight of her singles. The song's music video, which was released on March 10, 2016, portrays Michelle arguing with women in a trailer park. In their coverage of the video, reviewers described it as colorful. Michelle further promoted "Mindful" through live performances. (Full article...)
Image 6

The composer (c. 1915)

The Oceanides (in Finnish: Aallottaret; literal English translation: Nymphs of the Waves or Spirits of the Waves; original working title: Rondeau der Wellen; in English: Rondo of the Waves), Op. 73, is a single-movement tone poem for orchestra written from 1913 to 1914 by the Finnish composer Jean Sibelius. The piece, which refers to the nymphs in Greek mythology who inhabited the Mediterranean Sea, premiered on 4 June 1914 at the Norfolk Music Festival in Connecticut with Sibelius conducting. Praised upon its premiere as "the finest evocation of the sea ... ever ... produced in music", the tone poem, in D major, consists of two subjects, said to represent the playful activity of the nymphs and the majesty of the ocean, respectively. Sibelius gradually develops this material over three informal stages: first, a placid ocean; second, a gathering storm; and third, a thunderous wave-crash climax. As the tempest subsides, a final chord sounds, symbolizing the mighty power and limitless expanse of the sea.

Stylistically, many commentators have described The Oceanides as an example of Impressionism. Others have countered that Sibelius's active development of the two subjects, his sparing use of scales favored by Impressionists, and his prioritization of action and structure over ephemeral, atmospheric background distinguish the piece from quintessential examples, such as Debussy's La mer. (Full article...)
Image 7
Disintegration is the eighth studio album by English rock band the Cure, released on 2 May 1989 by Fiction Records. The band recorded the album at Hookend Recording Studios in Checkendon, Oxfordshire, with co-producer David M. Allen from late 1988 to early 1989.

The record marks a return to the introspective gothic rock style the band had established in the early 1980s. As he neared the age of 30, vocalist and guitarist Robert Smith had felt an increased pressure to follow up on the band's pop successes with a more enduring work. This, coupled with a distaste for the group's newfound popularity, caused Smith to lapse back into the use of hallucinogenic drugs, the effects of which had a strong influence on the production of the album. Following the completion of the mixing, founding member Lol Tolhurst was fired from the band. (Full article...)
Image 8
Odyssey Number Five is the fourth studio album by the Australian rock band Powderfinger, produced by Nick DiDia and released on 4 September 2000 by Universal Music. It won the 2001 ARIA Music Award for Highest Selling Album, Best Group and Best Rock Album. The album is the band's shortest yet, focusing on social, political, and emotional issues that had appeared in prior works, especially Internationalist.

The album produced four singles. The most successful, "My Happiness", reached #4 on the ARIA Singles Chart, won the 2001 ARIA Music Award for "Single of the Year", and topped Triple J's Hottest 100 in 2000. The album also featured "These Days", which topped Triple J's Hottest 100 in 1999. The album ranked at number 1 in Triple J's Hottest 100 Australian Albums of All Time poll in 2011. (Full article...)
Image 9
"Drake Would Love Me" is an R&B song recorded by American singer K. Michelle for her second studio album, Anybody Wanna Buy a Heart? (2014). It was written by Michelle and Bianca Atterberry. Its music and production came from Oak Felder, Ronald "Flippa" Colson, and Stephen Mostyn. Atlantic Records initially released the song via streaming on VH1's website on December 2, 2014, before it became available with the rest of the album the following week.

The song concerns an imaginary romance with Canadian rapper Drake. Described by critics as fan fiction, it was inspired by Michelle's perception of how Drake's female fans responded to him. The title attracted attention when the album's track listing was announced the month before its release. Several critics praised "Drake Would Love Me" and highlighted Michelle's humor, but others criticized her decision to dedicate a love song to Drake. (Full article...)
Image 10
Made in the Dark is the third studio album by the English indietronica band Hot Chip, released on 4 February 2008 through EMI Records internationally and Astralwerks and DFA Records in the United States. Comprising 13 tracks, a defining feature of the album is the strong presence of romantic ballads. The title ballad was described as "sublime" by one critic, although not all the ballads received universal praise. Alexis Taylor, the main contributor to the lyrics, said he was proud of the album lyrically and felt that feeling of love and happiness, partly the result of his recent marriage, had contributed to the album's romantic tone.

Critics stated that songs such as "Ready for the Floor" and "Bendable Poseable" were reminiscent of their previous release, The Warning. The style of the album was not considered as big a leap forward as the changes evident between Coming on Strong (2004) to The Warning (2006). It was said that Hot Chip had honed their music by using quirks of their musical style to make more accomplished music. However, some critics felt that the album lacked focus, containing too many varied elements; it was described as "loveable but flawed". Commercially, Made in the Dark peaked at number four on the UK Album Chart, number 25 on the Australian album charts, and entered at number 109 on the US Billboard 200. Several singles have been released from the album, including "Shake a Fist", "Ready for the Floor", which reached number six on the UK Singles Chart, and "One Pure Thought". (Full article...)
Image 11
"Baby Boy" is a song by American singer-songwriter Beyoncé featuring Jamaican deejay Sean Paul, from her debut solo studio album, Dangerously in Love (2003). It was also included on the reissue of Paul's second studio album, Dutty Rock (2002). Both Beyoncé and Paul co-wrote the song with Robert Waller, Jay-Z and Scott Storch, who produced it with Beyoncé. Containing a lyrical interpolation of "No Fear" by hip-hop group O.G.C., "Baby Boy" is a dancehall and R&B song with Caribbean and Asian influences; its lyrics detail a woman's fantasies.

The song was released as the second single from Dangerously in Love on August 3, 2003, by Columbia Records and Music World Entertainment. "Baby Boy" topped the US Billboard Hot 100 for nine consecutive weeks and was Beyoncé's longest-running number-one single until 2007, when it was surpassed by "Irreplaceable". It reached the top-ten in many countries and was certified two-times platinum by the Australian Recording Industry Association (ARIA) and platinum by the Recording Industry Association of America (RIAA). "Baby Boy" also reached the top-ten in Australia, Belgium, Denmark, France, Germany, Hungary, Ireland, the Netherlands, New Zealand, Norway, Spain, Sweden, Switzerland and the United Kingdom. (Full article...)
Image 12
"Blindfold Me" is a hip hop song by American singer Kelis from her fourth studio album, Kelis Was Here (2006). It was written and produced by Sean Garrett and Polow da Don. A remix, featuring American rapper Nas, was released as the album's second single in the United States on October 3, 2006. Although the Neptunes were long-time collaborators of Kelis, Kelis Was Here was her first album without their involvement as she opted for a more diverse team of record producers, which included Garrett and Polow da Don.

The song's lyrics focus on sex talk. Along with hip hop, music critics associated the track's style with pop rap and club music. Upon its release, "Blindfold Me" received a mixed response. While some critics cited it as a highlight from Kelis Was Here and enjoyed Kelis's sexual personality, others criticized its placement on the album's track listing as resulting in a jarring tonal shift. (Full article...)
Image 13
"Like I'm Gonna Lose You" is a song by the American singer-songwriter Meghan Trainor from her debut major-label studio album Title (2015), featuring guest vocals from John Legend. Trainor wrote the song with Justin Weaver and Caitlyn Smith, and produced it with Chris Gelbuda. Epic Records released it as the album's fourth single on June 23, 2015. A soul love ballad, "Like I'm Gonna Lose You" is about savoring moments spent with loved ones and not taking them for granted.

Critics praised Trainor's vocals and the song's composition, but some thought its mellow style did not suit her. In the United States, "Like I'm Gonna Lose You" reached number eight on the Billboard Hot 100 and was certified 4× Platinum by the Recording Industry Association of America. It peaked at number one in Australia, New Zealand, and Poland, in the top ten in Canada and South Africa, and attained an 8× Platinum certification in Australia. (Full article...)
Image 14
Heaven Upside Down is the tenth studio album by American rock band Marilyn Manson. It was released on October 6, 2017, by Loma Vista Recordings and Caroline International. The record had the working title Say10 and was initially due to be issued on Valentine's Day. However, the release was delayed by numerous events, most notably the death of Marilyn Manson's father, Hugh Warner, who died during production and to whom the album was later dedicated. The record has many of the musicians who performed on the band's previous album, The Pale Emperor (2015), including the producer Tyler Bates and the drummer Gil Sharone. Despite Manson's early implications, long-time bass guitarist Twiggy Ramirez did not participate on the album. He left the group following a sexual assault allegation by a former girlfriend.

"We Know Where You Fucking Live" was released as a single in September, shortly followed by "Kill4Me", which became the band's highest-peaking entry on Billboard's Mainstream Rock Chart. The music videos for the album had celebrities including Johnny Depp, Courtney Love and Lisa Marie Presley. The single "Tattooed in Reverse" also entered the mainstream rock chart, making Heaven Upside Down the band's first album since Mechanical Animals in 1998 to chart more than one song there. (Full article...)
Image 15
Fauré in 1907

Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.

Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer music college in Paris, where he was trained to be a church organist and choirmaster. Among his teachers was Camille Saint-Saëns, who became a lifelong friend. After graduating from the college in 1865, Fauré earned a modest living as an organist and teacher, leaving him little time for composition. When he became successful in his middle age, holding the important posts of organist of the Église de la Madeleine and director of the Paris Conservatoire, he still lacked time for composing; he retreated to the countryside in the summer holidays to concentrate on composition. By his last years, he was recognised in France as the leading French composer of his day. An unprecedented national musical tribute was held for him in Paris in 1922, headed by the president of the French Republic. Outside France, Fauré's music took decades to become widely accepted, except in Britain, where he had many admirers during his lifetime. (Full article...)

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Selected pictures

Image 1
Franz Lehár
Photograph: Bain News Service; restoration: Adam Cuerden
Franz Lehár (1870–1948) was an Austro-Hungarian composer mainly known for his operettas, the most successful and best known being The Merry Widow. He also wrote sonatas, symphonic poems and marches.
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Image 2
Nicholas Lanier
Painting credit: Anthony van Dyck
Nicholas Lanier (baptised 10 September 1588 – buried 24 February 1666) was an English composer and musician; the first to hold the title of Master of the King's Music, in the service of Charles I and Charles II. He was one of the first composers to introduce monody and recitative to England.

After this oil-on-canvas portrait was painted by the Flemish painter Anthony van Dyck in Antwerp, Lanier convinced the king to bring van Dyck to England, where he became the leading court painter. The portrait displays an attitude of studied carelessness, often termed sprezzatura, defined as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". The painting now hangs in the Kunsthistorisches Museum in Vienna.
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Image 3
Hera Hjartardóttir
Photo: Kyle Cassidy
Hera is an Icelandic singer-songwriter who emigrated to New Zealand as a teenager. She is known for her facial art, which is "inspired by moko and also by Celtic warrior paint" and intended to represent both her Icelandic and New Zealand heritage. In 2002 she was named Best Female Singer at the Icelandic Music Awards.
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Jules Massenet
Photograph credit: Eugène Pirou; restored by Adam Cuerden
Jules Massenet (12 May 1842 – 13 August 1912) was a French composer of the Romantic era, best known for his operas. Between 1867 and his death, he wrote more than forty stage works in a wide variety of styles, from opéra comique to grand depictions of classical myths, romantic comedies and lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the theatre and of what would succeed with the Parisian public. Despite some miscalculations, he produced a series of successes that made him the leading opera composer in France in the late 19th and early 20th centuries. By the time of his death, he was regarded as old-fashioned; his works, however, began to be favourably reassessed during the mid-20th century, and many have since been staged and recorded. This photograph of Massenet was taken by French photographer Eugène Pirou in 1875.
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Image 5
Griselda (A. Scarlatti)
Manuscript: Alessandro Scarlatti
Griselda is an opera seria in three acts by the Italian composer Alessandro Scarlatti. First performed in 1721, it is based on the story of Patient Griselda from Giovanni Boccaccio's Decameron. The libretto is by Apostolo Zeno, with revisions by an anonymous author. This manuscript copy by Scarlatti, held at the British Library, is of act one, scene one.
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Image 6
Louis Armstrong
Photo credit: New York World-Telegram and Sun
Louis Armstrong, nicknamed "Satchmo" or "Pops", was an American jazz trumpeter and singer. Armstrong was a foundational influence on jazz, shifting the music's focus from collective improvisation to solo performers. With his distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser and as a scat singer.
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Image 7
Thelonious Monk
Photograph credit: William P. Gottlieb; restored by Adam Cuerden
Thelonious Monk (October 10, 1917 – February 17, 1982) was an American jazz pianist and composer, and the second-most-recorded jazz composer after Duke Ellington. He had a unique improvisational style and famously remarked, "The piano ain't got no wrong notes". He made numerous contributions to the standard jazz repertoire, including "'Round Midnight", and a wide range of other compositions. He was renowned for a distinctive dress style, which included suits, hats, and sunglasses. He had disappeared from the scene by the mid-1970s and made only a few appearances during the final decade of his life. This 1947 photograph of Monk was taken by the American photographer William P. Gottlieb in Minton's Playhouse, a jazz club in New York.
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Image 8
William Grant Still
Photograph credit: Carl Van Vechten; restored by Adam Cuerden
William Grant Still (1895–1978) was an American composer of nearly 200 works, including five symphonies and nine operas. Often referred to as the "Dean of Afro-American Composers", Still was the first American composer to have an opera produced by the New York City Opera. His first symphony, entitled Afro-American Symphony, was until 1950 the most widely performed symphony composed by an American. Born in Mississippi, he grew up in Little Rock, Arkansas, attended Wilberforce University and Oberlin Conservatory of Music, and was a student of George Whitefield Chadwick and later Edgard Varèse. Still was the first African American to conduct a major American symphony orchestra and the first to have an opera performed on national television. Due to his close association and collaboration with prominent African-American literary and cultural figures, he is considered to be part of the Harlem Renaissance movement.

This picture of Still was taken by Carl Van Vechten in 1949; the photograph is in the collection of the Library of Congress in Washington, D.C.
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Image 9
Fervaal
Illustration credit: Carlos Schwabe; restored by Adam Cuerden
Fervaal is an opera with a prologue and three acts by the French composer Vincent d'Indy. Fervaal is the son of a Celtic king and is destined to be the last advocate of the old gods. His mission is to save his homeland from invasion and pillage, but in doing so he must renounce love. This illustration, by the Swiss painter Carlos Schwabe, relates to the 10 May 1898 premiere of the opera at the Théâtre de l'Opéra-Comique in Paris. Here, Fervaal is depicted ascending a mountain while carrying the body of his beloved Guilhen at the end of the opera, as the pagan gods and their worshippers fade out of existence with the dawn of Christianity.
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Image 10
Frédéric Chopin
Photo credit: Louis-Auguste Bisson
The only known photograph of Frédéric Chopin, often incorrectly described as a daguerreotype. It is believed to have been taken in 1849 during the degenerative stages of his tuberculosis, shortly before his death. Chopin, a Polish pianist and composer of the Romantic era, is widely regarded as one of the most famous, influential, admired and prolific composers for the piano. He moved to Paris at the age of twenty, adopting the French variant of his name, "Frédéric-François", by which he is now known.
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Image 11
Le mage
Poster credit: Alfredo Leonardo Edel; restored by Adam Cuerden
Le mage is an opera in five acts by Jules Massenet to a French libretto by Jean Richepin. First performed at the Paris Opera in 1891, it has rarely been performed since its premiere run of 31 performances, and is one of Massenet's least-known operas. A rare complete concert performance took place at the Massenet Festival in Saint-Étienne in 2012. This poster by Alfredo Edel was produced for the opera's premiere on 16 March 1891.
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Image 12
Aida
Drawing credit: Philippe Chaperon; restored by Adam Cuerden
Aida is a grand opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its premiere there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today, the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886.

This picture is the set design for Act 1, Scene 2, of the opera's 1871 premiere, depicting the portico of the Temple of Vulcan, designed by Philippe Chaperon. The drawing is in the collection of the Bibliothèque nationale de France.
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Image 13
Médée
Graphic: Giuseppe Palanti
Médée is a French-language opera by the composer Luigi Cherubini. Set in the ancient city of Corinth, Greece, it features a libretto by François-Benoît Hoffman and is based on Euripides's tragic play Medea and Pierre Corneille's play Médée. The opera premiered in 1797 at the Théâtre Feydeau in Paris. The long-lost final aria, which Cherubini appears to have deleted from his original manuscript, was discovered by researchers from the University of Manchester and Stanford University by employing X-ray techniques to reveal areas that the composer had blackened out.

This picture shows the title page for a vocal score of the 1909 hybrid version of Médée.
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Oceana (singer)
Photo: ChrisHamburg
Oceana (born 1982) is a German singer of German/Martiniquen descent. She is shown here performing at the Radio Hamburg Top 820.
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Hayley Williams
Photograph: Sven-Sebastian Sajak
Hayley Williams (born December 27, 1988) is an American singer, songwriter, musician, and businesswoman. She serves as the lead vocalist, primary songwriter and occasional keyboardist of the rock band Paramore. Born in Meridian, Mississippi, Williams moved to Franklin, Tennessee, at the age of fifteen after her parents divorced. In 2004, she formed Paramore alongside Josh Farro, Zac Farro, and Jeremy Davis. The band currently consists of Williams, Farro and Taylor York. They have released five studio albums: All We Know Is Falling (2005), Riot! (2007), Brand New Eyes (2009), Paramore (2013) and After Laughter (2017).
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Did you know (auto-generated)

... that a performance by Milkie Way at the 2021 Heavy Music Awards got its Twitch stream banned for three days?
... that Samuel Barber said that he could not adequately play his own Piano Sonata?
... that Max Weil, founder of the Halifax Symphony Orchestra, spent his later years in real estate?
... that Felipe Lara's Pulitzer finalist Double Concerto turns its soloists into a "many-tentacled creature"?
... that Steve Elcock's Symphony No. 6 is dedicated to "the everlasting execration of self-serving politicians, the obscenely rich and the system that allows them to remain so"?
... that husband and wife Edward M. and Marie Zimmerman co-wrote the suffragist anthem "Votes for Women: Suffrage Rallying Song"?